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The Academy of Motion Picture Arts and Sciences presents a Tribute to the great writer-director.
photos: Natalie Martinez
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The Academy of Motion Picture Arts and Sciences presents a Tribute to the great writer-director.
photos: Natalie Martinez
Julius Caesar, Sunday 17 June on BBC FOUR The entire Trilogy – Julius Caesar, Henry IV and The Tempest – available on iPlayer following the broadcast. Find out more about the making of the Trilogy here. The Donmar’s all-female Shakespeare Trilogy, directed by Phyllida Lloyd will be made available across the UK from Sunday 17 June as […].../ ➝
COMPOSING THE STAGE Since the time of the Ancient Greeks, composers have written for theatre, and yet their visibility as artists is noticeably less than that of their counterparts in cinema and television. We want to change that. This was the first gathering – as far as we know – of composers who specialise in […].../ ➝
Oscar Scores: La La Land (12A) + ScreenTalk with Justin Hurwitz 3.30 p.m. 26th May 2018 Cinema 2 Damien Chazelle’s glorious musical masterpiece follows aspiring actress Mia (Emma Stone) and jazz pianist Sebastian (Ryan Gosling) as they embark on a whirlwind romance. Ambitious and conflicted, cracks in their relationship begin to emerge, but can their love hold […].../ ➝
Timeline: European Film Scores Part of Timeline: the story of music and sound in film Thursday 19 April, 7pm Tickets £5 and includes a pre-event drink Royal Academy of Dramatic Art Jerwood Vanbrugh Theatre, Malet Street, London WC1E 7JN Composer and scholar Miguel Mera, Reader in Music at City University and authority on European film music, presents a survey of […].../ ➝
Approaching the different angles of what it takes to be a professional composer: from starting and guiding your career to how scores influence a film narrative, and many other topics in between.
Duration: 2 days
Dates: 21-22 April 2018
Venue: University of Greenwich Stockwell Street Library
10 Stockwell St, London SE10 9BD
Gary’s chapter in The Composer on Screen: Essays on Classical Music Biopics, edited by Paul Fryer. available via bookshops or order direct from McFarland Books here or from Amazon UK (hardback/e-book) here .../ ➝
Timeline: Hollywood Scores Part of Timeline: the story of music and sound in film Jerwood Vanbrugh Theatre, Malet Street Thu 18 January, 7pm Tickets £5 Royal Academy of Dramatic Art Jerwood Vanbrugh Theatre, Malet Street, London WC1E 7JN This event will present the history and impact of Hollywood scores and the approaches of different studios, in conversation […].../ ➝
Oscar® Scores: Up (U) + ScreenTalk with Michael Giacchino 7pm 18th October 2017 Cinema 2 Desperate to fulfil a lifelong dream, 78 year old Carl Fredricksen (Edward Asner) attaches thousands of balloons to his house in an attempt to fly away to the South American wilderness. Unbeknownst to the unorthodox jet-setter, he picks up an accidental […].../ ➝
Sound in Cinema: from The Jazz Singer to The Conversation with Walter Murch Part of Timeline: the story of music and sound in film Thursday 28 September, 7pm Free event: ticketed Royal Academy of Dramatic Art Jerwood Vanbrugh Theatre, Malet Street, WC1E 7JN Renowned editor and sound designer Walter Murch presents a survey of sound in film […].../ ➝
Join the Dots, Series 1 Monday 18th - Friday 22nd September 2017 13:45 BBC Radio 4 Then there was a pause… Janet Ellis explores the role of the dot in early punctuation, Harold Pinter’s love of the pause, and listens to the music of the dots. The simple dot is one of the first marks […].../ ➝
Oscar® Scores: The Artist (PG) + ScreenTalk with Ludovic Bource 7pm 20 Sept 2017 Cinema 2 At the height of his fame, suave silent film star, George Valentin, gives a young dancer a Hollywood break. But sound soon takes over the industry and, whilst his young protégé adapts to the talkies, Valentin is left behind. Composer Ludovic Bource […].../ ➝
Oscar Composers: What Else Did They Write? Ratcatcher (PG) + Discussion with Rachel Portman 6.10 pm 13 Sept 2017 Cinema 1 Home 2 Tony Wilson Place Manchester M15 4FN Set in a Glasgow tenement block in the 1970s, against a backdrop of rubbish accumulating during a binmen’s strike, the film follows twelve-year-old James Gillespie as tragedy causes him to withdraw […].../ ➝
The official National Theatre programme Contents: Stephen Sondheim’s biographer David Benedict on the making of a musical dramatist; composer Gary Yershon on how Sondheim’s songs pointed to a new direction for young composers; Russell Jackson on Ziegfeld and his Follies; and an extract from the diary of the production assistant on the original Broadway production […].../ ➝
COMPOSING FOR FILM: August 25th 12:oo-13:30 Amelie Thyssen Auditorium, Fritz Thyssen Stiftung Workshop Discussion with Lesley Barber (Manchester by the Sea, You Can Count On Me, How to Change the World) in conversation with Gary Yershon COMPETITION SCREENING: August 26th, 14:30 – 17:00, Fritz Thyssen Stiftung 9 films from 5 countries: Nine film composers compete for the Peer Raben Music […].../ ➝
Premiere performance 2nd July 2017, Stream House, Haslemere, Surrey. Raisa Zapryanova (viola) and Nick Cooper (cello).../ ➝
FilmScore Final 2017 with judges: Gary Yershon, Natalie Holt, Brian Lock and Lillian Henley, presented by Laura Rawlings with finalists Sam MacDonald, Emilia Matthews, Ollie Pople-Griffiths & Matt Sperring and the WINNER: Emma Cannon. Filmed by the wonderful Screenology..../ ➝
FEST – Training Ground Training Ground is an annual educational event that takes place alongside FEST – New Directors | New Films Festival. The next edition will take place from the 20th to the 25th of June in Espinho, Portugal. A varied array of key issues on filmmaking will be approached, including scriptwriting, cinematography, editing, sound design, […].../ ➝
Oscar® Scores: Dangerous Liaisons (18) + ScreenTalk with George Fenton 7pm 14 June 2017 Cinema 2 Love and cynicism make for a heady mix in this 1988 adaptation of the scandalous novel by Choderlos de Laclos, directed by Stephen Frears. The Marquise De Merteuil (Glenn Close) and Vicomte De Valmont (John Malkovich) are two of a […].../ ➝
on The Gramophone blogsite read Gary’s article here.../ ➝
photo: John Farrow
TIMELINE: THE STORY OF MUSIC AND SOUND IN FILM Thursday 4 May, 7pm Free event: ticketed Royal Academy of Dramatic Art Jerwood Vanbrugh Theatre, Malet Street, WC1E 7JN Napoléon (1927, Abel Gance) Timeline is a series of events that will focus on the artistry of both music and sound in film, from the early twentieth century to the […].../ ➝
Atonement (15) + ScreenTalk with composer Dario Marianelli Wed 8 Mar, Cinema 2, 6.30pm UK/France/USA 2007 Dir Joe Wright 123min An exceptional opportunity to find out about film score composition in this bi-monthly series at Barbican. In March composer Dario Marianelli discusses his Oscar © winning score for Joe Wright’s Atonement with host and fellow […].../ ➝
It’s unlikely that when Art premiered at the Comedie des Champs-Elysees in Paris in 1994 anyone could have predicted its global popularity. The West End translation by Christopher Hampton initially featured the heavyweight triumvirate of Albert Finney, Tom Courtenay and Ken Stott and its eight-year run was further populated by a succession of actors and […].../ ➝
Oscar © Winning Scores: The Full Monty (15) + ScreenTalk with Anne Dudley Wed December 7th 7pm Barbican Cinema 2 UK 1997 Dir Peter Cattaneo 91 min We’re very glad to welcome composer Anne Dudley to talk about her Academy Award-winning score for this much-loved British comedy. Formerly a member of the synthpop band Art of Noise, Anne has […].../ ➝