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August 2012

The ebb and flow of a journey to work.

Brothers McLeod/Big Dance 2012/C4

see the movie!

June 2012

Thin Man Films / Film4 / BBC Films Director: Mike Leigh Producers: Georgina Lowe, Ruth Mackenzie Starring: Eddie Marsan.../ ➝

May 2012

Transfer to radio of The Royal Court Theatre’s 2011 production of Arnold Wesker’s landmark play from 1958 that captures the collapse of an ideology, alongside the disintegration of a family. Directed for the stage by Dominic Cooke,  for radio by Simon Godwin, and produced for BBC Radio 3 by Catherine Bailey.  .../ ➝

March 2012

 RADA production,  2012 Described by its author as a ‘village tragicomedy’, Divine Words (Divinas Palabras) is a grotesque picture of rustic life, in all its cruelty and sensuality. Author: Ramón María del Valle-Inclán (1920) Director: Paul Hunter Composer: Gary Yershon.../ ➝

December 2011

National Theatre, London, December 2011 – The Mail ★★★★★ “The show is wall-to-wall joy and Mr Henry is beyond good.” – by Quentin Letts.../ ➝

September 2011

Mike Leigh’s play Grief lives up to its title and has some extraordinary performances from Leslie Manville, Marion Bailey and Wendy Nottingham. Daily Telegraph ★★★★.../ ➝

August 2011

In 2011, as part of the celebrations for the reopening of the Royal Shakespeare Theatre after a major renovation, the RSC asked The Brothers McLeod to make ‘Billy’ featuring William Shakespeare and his pet pig Francis. In each animation Billy searches for a crucial idea for one of his plays.

BILLY  Macbeth

BILLY  A Midsummer Night’s Dream

BILLY  Anthony and Cleopatra

BILLY  The Comedy of Errors

BILLY  Hamlet

BILLY  The Tempest

June 2011

Royal Court Theatre, London, June 2011 Arnold Wesker’s Chicken Soup With Barley at the Royal Court is given a beautifully judged and often deeply moving production” –  by Charles Spencer The Telegraph * * * * The Guardian * * * * *.../ ➝

February 2011

Manchester Library Company, The Library, Salford, February 2011 “It may have been ahead of it’s time when first published, but don’t miss the opportunity to see it now.” by Poppy Helm.../ ➝

October 2010
September 2010

Noël Coward Theatre, London, September 2010 “Russell Beale is excellent value and there are genuinely frightening moments,…” Michael Billington, The Guardian. “Gary Yershon’s music keep the tension alive..”.../ ➝

September 2010

***Best Composer Nomination at 2010 European Film Award*** Thin Man Films / Film4 / United 09 Director: Mike Leigh Producer: Georgina Lowe Starring: Jim Broadbent, Ruth Sheen, Lesley Manville.../ ➝

June 2010

Arcola Theatre, London, June 2010 “There’s a dream-like quality to Russell Bolam’s production as the world of these women drifts in and out of focus.” – TimeOut – Telegraph ★★★★.../ ➝

June 2010

directed by Tim Luscombe RADA.../ ➝

May 2010

Arcola Theatre, London, May 2010 “It makes for a buoyant evening that displays the satiric strengths, as well as the occasional limitations, of the absurdist genre.”  – Michael Billington, The Guardian ★★★ The Independent ★★★.../ ➝

January 2010

Opera North 2010 programme essay to accompany Jo Davies’ production of Ruddigore. .../ ➝

December 2009

The star of Dominic Cooke’s adaptation of Arabian Nights is Shahrazad whose bewitching tales include those of Ali Baba and Es-Sindibad. The play celebrates the power of the imagination and storytelling, told through a mixture of song, dance, puppetry and illusion..../ ➝

October 2009

RADA production, London 2009

Director: William Gaskill
Composer: Gary Yershon

November 2008

RADA.../ ➝

October 2008

At the Old Vic and on Broadway Drama Desk Nomination : Outstanding Music in a Play Old Vic website : The Norman Conquests  .../ ➝

September 2008

English Touring Theatre

June 2008
May 2008

Turtle Key Arts production,  2008 “a gem of choreographic ingenuity”  The Guardian “seamless in finish”  The Observer Choreographer & director: Jonathan Lunn.../ ➝

April 2008

Film4 / Ingenious Film Partners / Thin Man Films Director: Mike Leigh Producer: Simon Channing Williams Starring: Sally Hawkins, Eddie Marsan, Alexis Zegerman This was my first score for a film. I was fifty-four years old, rather late, in movie industry terms, to be making such a debut. I felt at ease, though, because I’d […].../ ➝

March 2008

Gielgud Theatre, London Bernard B. Jacobs Theatre, New York.../ ➝